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A while ago, we quoted a review of Puella Magi Madoka Magica: Rebellion, the film that continues the story of the original Madoka Magica dark magical girl series. It accused it of having an "indulgent lack of focus" and "mean-spirited twists," and said that they "beg to be rejected as a conclusion to the work that preceded it."

Those are still our thoughts on Hate Plus. After watching Rebellion a few times, however, they aren't our thoughts on the film anymore, and the film itself gave us a new perspective on *Mute's story and our fanfiction. It's become very significant for us.

Content note: Spoilers for Puella Magi Madoka Magica and Rebellion, plus videos of relevant parts if you don't care to watch the series! The videos contain gore and disturbing imagery.

Also there's talk of suicide, because it's key to both Rebellion and Hate Plus' stories, and is the reason for our fanfic rewrite of the latter.

This part explains Rebellion's plot )

So, how does this tie into Hate Plus?

First, we have the author's dubious understanding of *Mute's agency. Pretending a fictional character can choose how they're portrayed is just a silencing tactic, which prevents discussion of what the character should have done and why the author chose to have her do this.

(Especially when the real reason Love made that choice is because she didn't know how to tell *Mute's story. Not and have it be meaningful.)

And second ... second, the day after I finished crying, I went back and played Hate Plus over and over again, trying everything I could think of. The whole time, I was remembering Homura's struggle, and listening to Magia on repeat.

I feel I know what it was like for her.

I'll never stop trying to create a world in which *Mute can be happy.

Click here to see Homura (the one with black hair) being a badass.

jewelfox: A portrait of a foxgryphon with a beak, black fur, magenta hair, fox ears, and a neckband with a large jewel on it. (Default)

Content note: Sexism, descriptions of physical and emotional abuse, some brief strong language towards the end, and descriptions of interpersonal conflict within a family.

There's a good story somewhere in Ender's Game. A child gets taken away to a magical school In Space, and is forced to survive when both teachers and students are literally trying to kill him. In the end, he faces a moral dilemma, and how he responds after everything that he's been through defines who he is as a character.

It resonates with me, because it basically describes a Mormon upbringing.

On the one hand, you're mass produced and depersonalized, especially if you come from one of those Utah families with nine kids. On the other hand, you're told repeatedly that you are a Chosen One, part of a chosen generation of Mormon kids, and your actions and faithfulness will help bring about the second coming of Christ. (Mormons are averse to calling him "Jesus" for some reason.)

Ender spends his whole childhood training to be a soldier. Mormon kids spend their whole childhoods training to be either a mom or a missionary. I can't overstate how much these two roles are glorified, or how much the bike-riding, nametag-wearing missionaries are held up as role models to Mormon kids who are assigned the male gender. And all the while, your belief that you're one of the few people that God approves of -- and that everyone else needs to be like you -- is creating this wedge between you and the people around you, which you are encouraged to see as "they hate me because of my righteousness."

Seriously, this is the major theme in the first couple parts of the Book of Mormon. The POV character is a Mary Sue, whose brothers hate him and repeatedly try to kill him because he's so awesome and always does what God wants him to.

The problem with Ender's Game is not that Ender goes through all this. It's that Orson Scott Card did, and is apparently blind to it.

Read more... )

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~ Fox | Gem | Rei ~

We tell stories, paint minis, collect identity words, and share them all with our readers. If something we write helps you, let us know.

~ She / her ~

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